The MdW Atlas is a regular online publication where editorial partners from each state commission contributions of stories, artwork, media, and other genres. It is also a radio show! The Atlas Editor is Mairead Case.
The complete 2022 Atlas Table of Contents, featuring 68 contributions, is below (keep scrolling!). It is also a book, designed by Lu Liang and was released at the 2024 convening in Kansas City. It’s now available for purchase at Buddy.
The 2024-25 edition began in May 2024 and will continue through summer 2024.
2024 Editors:
Rita Mae Reese, Art Lit Lab (Wisconsin)
John Engelbrecht and Rachel Buse, PS1 and Art Beacon (Iowa)
Yashi Davalos, Charlotte Street Foundation (Missouri)
Sylvia Thomas, Big Car (Indiana)
Za’Nia Coleman, Tangible Collective (Minnesota)
Alexander Andrew-Martin, Project 1612 (Illinois)
Intersectional Press (Michigan)
M. Carmen Lane, ANTSC (Ohio)
L.M. Forgie, Red River Creatives (North Dakota)
Angela Zonunpari, No Business Magazine (South Dakota)
Erika Nelson, The World’s Largest Collection of the World’s Smallest Version of the World’s Largest Things (Kansas)
Peter Fankhauser, Amplify Arts (Nebraska)
If you have questions or need paper copies, large print, translations, or alt text, email Mairead: mairead.case @ gmail
How to Make a Scene 2024
As a special, live addition to the MdW Atlas, Brandon Alvendia curated a series of conversations among artist organizers from the 80s through the 2020s. Audio and video documentation of those conversations can be found here.
Alchemy Within: a virtual exhibition about internal transmutation
“A virtual exhibition sharing the work of internal transmutation.”
Ancestry Spirit Practice: a zine highlighting the spiritual practice & beliefs of four Black & Queer individuals
“I believe in the chaotic, creative, interdependent, randomness of the universe and that we all represent it.”
Love Letters to 1612: reflecting on the change & community built by an artist-run space approaching its 10th year
“Thank you for showing the world that change is good and that it is a way forward.”
Still Here: An Interview with Lauren Williams
When I moved to Chicago, I was definitely jumping into a fad, which was community engagement. That was definitely treated and abused. The word was tossed around so carelessly.
Lock me up and put me in Witness Protection with the other AI, or I wonder if we might stop using the word “artist”
Long story short: I was on a walk the other day, thinking about the damp fungal semiotic oblivion around the word “art.”
Love Before and After
Loving yourself is about embracing the love you have for your practice because you love yourself first.
Doing less is more: slowness as praxis
The myth is that if we can’t “make it,” then we don’t want it bad enough. Such thinking fails to consider people as whole parts within a whole system.
terms for pressing with
My hope, but not my expectation, is that together we may yield more tremble than objects, because we will be concerned with finding, and having found, ways to carry the camera for each other.
New Cultures of Work: A Syllabus
As Thompson shows, the modern work day—and even our basic sense of what constitutes an hour or a year—was a violent imposition that met fierce resistance.
Make It Last Forever: Movements, Moments, and Questions of Enduring Change in the Arts
It takes unassailable courage to speak truth to power with your full chest, whether it’s into a megaphone, to a trusted circle of friends, or whispered to yourself in solitude.
Shims may be necessary to reduce the wobble
Critique is ultimately a dialogue, one which unveils the structures within which the critique takes place. It is subjective. There are no objective truths in critique. It is a practice.
& Environs: Peregrine Falcons, Ecological Recovery & Place in the Midwest Metropolis
“We have to highlight the birds. We need to give them the proper credit.”
Follow the Flowers: Navigating These Unruly Times, This Unbound Place
Longitude is a human creation, having to do with the political belly button of whoever is of influence.
(eyes) !?!?!?!!!??????....??? (eyes) On the Artist-Run Archives of Ufology
Is an archive that doesn’t aim for forever still an archive? And if I happen to have forever, would I even care about archives?
Artist Running From
Critique is only ever the process of articulating something real, by which I mean, shared.
Welcome. Join Us!
The first MDW Fair was an important intersection that helped us retool our dissent and reactivate our mission.
2022 Atlas Table of Contents
ILLINOIS
Editors selected by Public Media Institute
Tempestt Hazel
Tempestt Hazel, “Make It Last Forever: Movements, Moments, and Questions of Enduring Change in the Arts”
[Lauren Williams] Tempestt Hazel, “Still Here: An Interview with Lauren Williams”
Onyx Montes, “Love Before and After”
Kate Bowen: “Doing Less Is More”
Nance Klehm
Nance Klehm: “Follow the Flowers: Navigating These Unruly Times, This Unbound Place”
Tim Hogan: “& Environs: Peregrine Falcons, Ecological Pecovery & Place in the Midwest Metropolis”
Kimberly Sigafus: “Walking the Native Way”
Charles Joseph Smith, “Digital Toccata”
MINNESOTA
Editors selected by Confluence Studio
Sam Gould, Duaba Unenra & John Kim
Confluence Studio: “A Conversation with Douglas R. Ewart”
Confluence Studio: “No Titles, Just Tasks: Social Ecologies in South Minneapolis”
Confluence Studio: “Water Language: A Conversation with Shanai Matteson & Oscar Tuazon”
Karen Goulet, Monique Verdin, Rebecca Dallinger: “A Big River Continuum”
Sam Gould: “On Gravity”
INDIANA
Editors selected by Big Car
Jim Walker
Jim Walker: “What Can Artists Do? Strive for Utopia”
Kaila Austin: “Reimagining the Hardrick Home”
Oreo Jones: “Listen to Your City”
Brett Bloom
Brett Bloom: “Concrete Cultural Reversals”
Dan Zink: “Going With the Flow: Placemaking Along a Corridor”
Ryan Schnurr: “Oil and Water”
Sierah Barnhart: “In Defiance of Racism”
MISSOURI
Editors selected by Charlotte Street Foundation
Kimi Kitada
Kimi Kitada: “Reflections on History from a (Temporary) Missourian”
rachel atakpa: “Agricultural Poetics: Practices for Transformation”
Kevin Umaña: “Artist-Run Galleries Dazzle”
Chad Onianwa: “Art in a Vacuum”
Stephanie Koch
Stephanie Koch: “How Can We Imagine an Abundant Future for St. Louis?”
Cami Thomas: “LouTown, Evolution (And Flashback)”
Visitor Assembly: “ATL Arts Ecosystem: A Topography”
IOWA
Editors selected by PS1
John Engelbrecht & Kalmia Strong
Mary Swander: “AgArts: Imagining a Healthy Food System”
Monica Leo: “Building Community”
Dawson Davenport: “Letter from Iowa”
Cameron Gray
Cameron Gray: “The Buxton Initiative: Sacred Spaces for Black Futures”
jameson malone: “routine”
Jordan Brooks: “Fill the room with your presence!”
Jill Wells: “What I Learned From a Power Lift Recliner and a Paint Brush”
MICHIGAN
Editors selected by Bulk Space
Talking Dolls
Talking Dolls: “Letter from Detroit”
Miz Korona: “Motor City”
Diana Noh: “Understanding Abandonment”
Ashley Cook
Ashley Cook: “Runner Magazine presents…”
Nisi Shawl: “My Recipe for Making Amends”
Kristen Kirby-Shoote: “In Case of Emergency: Recipes for Collapse”
Bear: “Titles”
WISCONSIN
Editors selected by Wormfarm Institute
Curt Meine
Curt Meine: “Wisconsin Flows: Rock, Water, Seed”
Marcia Bjornerud, Eric Carson, Rudy Molinek, Roxane Aubrey: “Layered by Time”
Adam Carr, Sara Daleiden, Wes Tank: Rural Urban FLOW: Every seed has a powerful story
Kimberly Blaeser, Max Garland, Angie Trudell Vasquez, Catherine Young: “Wisconfluence”
Dan S. Wang
Dan S. Wang: “Wisconsin Excluded”
Alondra Garcia: “Ten Years Dreaming: A Wisconsin DACA Recipient Speaks Out”
BORDERLESS EDITORS
Kristi McGuire
Kristi McGuire: “Artist Running From”
Kristi McGuire: “Lock me up and put me in Witness Protection, with the other AI, or I wonder if we might stop using the word ‘artist’”
Katie Giritlian: “terms for pressing with”
Kim Upstill: “four dream menus for the midwest summer”
J. Dakota Brown: “New Cultures of Work: A Syllabus”
Thomas Huston: “Shims may be necessary to reduce the wobble”
olivier: “(eyes) !?!?!?!!!??????....??? (eyes) On the Artist-Run Archives of Ufology”
Genvieve DeLeon: “In the Direction of the Sky”
Mairead Case
Lee Hunter: “No Coast” - Illinois
N. Adam Beadel: “Trying to make a print / point” - Wisconsin
Cameron A. Granger: “Homebody” - Michigan
Sara Maloney: “Pole Dancing in South Bend, Indiana” - Indiana
Michelangelo Matos: “At Home in the Archives” - Minnesota