The MdW Atlas is a regular online publication where editorial partners from each state commission contributions of stories, artwork, media, and other genres. It is also a radio show! The Atlas Editor is Mairead Case.
The complete 2022 Atlas Table of Contents, featuring 68 contributions, is below (keep scrolling!). It is also a book, designed by Lu Liang and was released at the 2024 convening in Kansas City. It’s now available for purchase at Buddy.
The 2024-25 edition began in May 2024 and will continue through summer 2024.
2024 Editors:
Rita Mae Reese, Art Lit Lab (Wisconsin)
John Engelbrecht and Rachel Buse, PS1 and Art Beacon (Iowa)
Yashi Davalos, Charlotte Street Foundation (Missouri)
Sylvia Thomas, Big Car (Indiana)
Za’Nia Coleman, Tangible Collective (Minnesota)
Alexander Andrew-Martin, Project 1612 (Illinois)
Intersectional Press (Michigan)
M. Carmen Lane, ATNSC (Ohio)
L.M. Forgie, Red River Creatives (North Dakota)
Angela Zonunpari, No Business Magazine (South Dakota)
Erika Nelson, The World’s Largest Collection of the World’s Smallest Version of the World’s Largest Things (Kansas)
Peter Fankhauser, Amplify Arts (Nebraska)
If you have questions or need paper copies, large print, translations, or alt text, email Mairead: mairead.case @ gmail
How to Make a Scene 2024
As a special, live addition to the MdW Atlas, Brandon Alvendia curated a series of conversations among artist organizers from the 80s through the 2020s. Audio and video documentation of those conversations can be found here.
Attokháhtshera (Responsiveness)
“Shadi is asking me how I am doing while I am thinking about his sister and her children in Beirut.”
The Lightning Tree
“It was struck by lightning. It has been shade to the wounded on my block, and with love, it will see better days.”
Poem: Steady Rise
“The city is still here / Dreaming of leaving the city only to release that it was always the one”
Speramus Meliora; Resurget Cineribus
“The city is still here, because Detroit never left.”
Alchemy Within: a virtual exhibition about internal transmutation
“A virtual exhibition sharing the work of internal transmutation.”
Ancestry Spirit Practice: a zine highlighting the spiritual practice & beliefs of four Black & Queer individuals
“I believe in the chaotic, creative, interdependent, randomness of the universe and that we all represent it.”
Love Letters to 1612: reflecting on the change & community built by an artist-run space approaching its 10th year
“Thank you for showing the world that change is good and that it is a way forward.”
Cultural Identity in Art: A Conversation with Sequoia Hauck and Alondra M. Garza
“Every time I make something, it’s a ceremony.”
MN to NYC to LA and back to MN
Let's be honest: believing that art and creative direction are your best bet for survival means one thing—it is your best bet because you'd perish without it, and you can't help anyone if you're gone. Necessity.
Seven Years in Our Twenties
I still believe that Tangible is only as successful as the community that supports it.
Markings of Remembrance
Uniting this group over ancestral body art has helped me understand that the markers of Filipino identity were never the full story.
Printmaking with Purpose
“Chavalitos” is dedicated to the men in our family who make an effort to unlearn their patterns and express their emotions verbally.
Lost and Found in the Heart of America
I didn’t know what to expect, but I came across an energy. An ever-present energy around the concept of change, which is exactly what I am looking for.
8 Seconds and 16 Carriages: Contemporary Audio and Visuals as Archival Acts of Resistance
By the late 19th century, one in four American cowboys were Black.
Third Space: Queering Blackness from the Archival Fabrics of Middle America
Americana has always been historicized for the benefit (and thus, through the lens) of the white ruling class.
Third South Vernacular and Oyster Knives: A Curatorial Monologue and Manifesto on Researching Regional Discourse
Our dialogue is our Oyster Knife.
Sacred PDFs: Collect Them All!
It's time to assemble your operations manual. These sacred portable document formats (PDFs), made by representatives from Art Beacon and PS1, are collectable pieces of art!
Operations Manual: a (good old) Manifesto
We offer this small selection of replies to our elusive prompt (it was such an unconstrained ask!) as a demonstration or prototype for knowledge and histories that are more likely to exist in gallery conversations than search engine results.
2022 Atlas Table of Contents
ILLINOIS
Editors selected by Public Media Institute
Tempestt Hazel
Tempestt Hazel, “Make It Last Forever: Movements, Moments, and Questions of Enduring Change in the Arts”
[Lauren Williams] Tempestt Hazel, “Still Here: An Interview with Lauren Williams”
Onyx Montes, “Love Before and After”
Kate Bowen: “Doing Less Is More”
Nance Klehm
Nance Klehm: “Follow the Flowers: Navigating These Unruly Times, This Unbound Place”
Tim Hogan: “& Environs: Peregrine Falcons, Ecological Pecovery & Place in the Midwest Metropolis”
Kimberly Sigafus: “Walking the Native Way”
Charles Joseph Smith, “Digital Toccata”
MINNESOTA
Editors selected by Confluence Studio
Sam Gould, Duaba Unenra & John Kim
Confluence Studio: “A Conversation with Douglas R. Ewart”
Confluence Studio: “No Titles, Just Tasks: Social Ecologies in South Minneapolis”
Confluence Studio: “Water Language: A Conversation with Shanai Matteson & Oscar Tuazon”
Karen Goulet, Monique Verdin, Rebecca Dallinger: “A Big River Continuum”
Sam Gould: “On Gravity”
INDIANA
Editors selected by Big Car
Jim Walker
Jim Walker: “What Can Artists Do? Strive for Utopia”
Kaila Austin: “Reimagining the Hardrick Home”
Oreo Jones: “Listen to Your City”
Brett Bloom
Brett Bloom: “Concrete Cultural Reversals”
Dan Zink: “Going With the Flow: Placemaking Along a Corridor”
Ryan Schnurr: “Oil and Water”
Sierah Barnhart: “In Defiance of Racism”
MISSOURI
Editors selected by Charlotte Street Foundation
Kimi Kitada
Kimi Kitada: “Reflections on History from a (Temporary) Missourian”
rachel atakpa: “Agricultural Poetics: Practices for Transformation”
Kevin Umaña: “Artist-Run Galleries Dazzle”
Chad Onianwa: “Art in a Vacuum”
Stephanie Koch
Stephanie Koch: “How Can We Imagine an Abundant Future for St. Louis?”
Cami Thomas: “LouTown, Evolution (And Flashback)”
Visitor Assembly: “ATL Arts Ecosystem: A Topography”
IOWA
Editors selected by PS1
John Engelbrecht & Kalmia Strong
Mary Swander: “AgArts: Imagining a Healthy Food System”
Monica Leo: “Building Community”
Dawson Davenport: “Letter from Iowa”
Cameron Gray
Cameron Gray: “The Buxton Initiative: Sacred Spaces for Black Futures”
jameson malone: “routine”
Jordan Brooks: “Fill the room with your presence!”
Jill Wells: “What I Learned From a Power Lift Recliner and a Paint Brush”
MICHIGAN
Editors selected by Bulk Space
Talking Dolls
Talking Dolls: “Letter from Detroit”
Miz Korona: “Motor City”
Diana Noh: “Understanding Abandonment”
Ashley Cook
Ashley Cook: “Runner Magazine presents…”
Nisi Shawl: “My Recipe for Making Amends”
Kristen Kirby-Shoote: “In Case of Emergency: Recipes for Collapse”
Bear: “Titles”
WISCONSIN
Editors selected by Wormfarm Institute
Curt Meine
Curt Meine: “Wisconsin Flows: Rock, Water, Seed”
Marcia Bjornerud, Eric Carson, Rudy Molinek, Roxane Aubrey: “Layered by Time”
Adam Carr, Sara Daleiden, Wes Tank: Rural Urban FLOW: Every seed has a powerful story
Kimberly Blaeser, Max Garland, Angie Trudell Vasquez, Catherine Young: “Wisconfluence”
Dan S. Wang
Dan S. Wang: “Wisconsin Excluded”
Alondra Garcia: “Ten Years Dreaming: A Wisconsin DACA Recipient Speaks Out”
BORDERLESS EDITORS
Kristi McGuire
Kristi McGuire: “Artist Running From”
Kristi McGuire: “Lock me up and put me in Witness Protection, with the other AI, or I wonder if we might stop using the word ‘artist’”
Katie Giritlian: “terms for pressing with”
Kim Upstill: “four dream menus for the midwest summer”
J. Dakota Brown: “New Cultures of Work: A Syllabus”
Thomas Huston: “Shims may be necessary to reduce the wobble”
olivier: “(eyes) !?!?!?!!!??????....??? (eyes) On the Artist-Run Archives of Ufology”
Genvieve DeLeon: “In the Direction of the Sky”
Mairead Case
Lee Hunter: “No Coast” - Illinois
N. Adam Beadel: “Trying to make a print / point” - Wisconsin
Cameron A. Granger: “Homebody” - Michigan
Sara Maloney: “Pole Dancing in South Bend, Indiana” - Indiana
Michelangelo Matos: “At Home in the Archives” - Minnesota