This is one of those ideas that gets worse the more you think about it: oil and water sloshing around and across each other in ever-more-dangerous combinations. 

Where were u ??

Loving yourself is about embracing the love you have for your practice because you love yourself first.

This is NOT enough. We need more. DACA recipients want to contribute in full to the growth of this country, to the city of Milwaukee, and prove that we can make a difference in our society.

Everything was confusing at Transmission, and by design.

I realized my whole being is expression. My existence is art.

The St. Louis arts community does not have a deep archive that documents its people, places, and resources.

“These are things we should talk about, if you want to reconcile with what it is to live in Fort Wayne.”

The unfurling bud at the tip of the tree of my resistance is my dawning realization that I and many others—maybe you yourself—could easily be classified as criminals. Indeed, many of us are classified that way already.

The myth is that if we can’t “make it,” then we don’t want it bad enough. Such thinking fails to consider people as whole parts within a whole system.

We should feel not only what we are doing, but what we are representing. The entrance corridor should be seamless, simple, and invisible, even when someone makes their first entrance.

My hope, but not my expectation, is that together we may yield more tremble than objects, because we will be concerned with finding, and having found, ways to carry the camera for each other.

Bunting is a sacrifice play. It's typically done when the bases are loaded.

Experiencing the flow state of creation feels outside the bounds of time itself to me. How can that not feel spiritual?

The work of rebuilding is an odd mix of tending to what already exists and starting anew. Do you pull up the foundation or build atop?

How does your work participate in cycles longer than three to four generations? 

three different people whose work responds to societal concerns, offers solutions, and positively influences the world around them.

As Thompson shows, the modern work day—and even our basic sense of what constitutes an hour or a year—was a violent imposition that met fierce resistance.

It takes unassailable courage to speak truth to power with your full chest, whether it’s into a megaphone, to a trusted circle of friends, or whispered to yourself in solitude.

Naming the non-human features of the land is a human activity with all attendant human limitations. Thus the will to represent falls into the well of selection—and for an atlas like this one, of curation.