The MdW Atlas is a regular online publication where editorial partners from each state commission contributions of stories, artwork, media, and other genres. It is also a radio show! The Atlas Editor is Mairead Case.
The complete 2022 Atlas Table of Contents, featuring 68 contributions, is below (keep scrolling!). It is currently being compiled into a book designed by Lu Liang and will be released at the 2024 convening in Kansas City.
The 2024 edition began in May 2024 and will continue to grow.
2024 Editors:
Rita Mae Reese, Art Lit Lab (Wisconsin)
John Engelbrecht and Rachel Buse, PS1 and Art Beacon (Iowa)
Yashi Davalos, Charlotte Street Foundation (Missouri)
Sylvia Thomas, Big Car (Indiana)
Za’Nia Coleman, Tangible Collective (Minnesota)
Alexander Andrew-Martin, Project 1612 (Illinois)
Intersectional Press (Michigan)
M. Carmen Lane, ANTSC (Ohio)
L.M. Forgie, Red River Creatives (North Dakota)
Angela Zonunpari, No Business Magazine (South Dakota)
Erika Nelson, The World’s Largest Collection of the World’s Smallest Version of the World’s Largest Things (Kansas)
Peter Fankhauser, Amplify Arts (Nebraska)
If you have questions or need paper copies, large print, translations, or alt text, email Mairead: mairead.case @ gmail
Listen To Your City
I will never forget walking around the fountain, soaking up all the sounds and the Black joy exuberating from building to building—people dancing in the streets in unison, celebrating together for one day.
Agricultural Poetics: Practices for Transformation
we are at the edge of a forest, i ask you if you’re ready to enter
Rural Urban FLOW: Every seed has a powerful story
The conversation veered in many directions, driven by personal stories, meditations on agriculture, cultural context, race in America, and much more—but at the center: a shared vision to enliven our region by connecting people across geography and history.
No Titles, Just Tasks: Social Ecologies in South Minneapolis
It's not how good I am, it’s how good I want to be. That's our weapon against all the things that have tried to hold us back. Unite and untie have the same letters.
Building Community
We’d been producing performances and workshops and educating for years. Now it was time to start “enhancing the quality of community life.”
Artist-Run Galleries Dazzle
The challenge of this series is to address how we encourage and educate ourselves and the public about the importance of living and engaging with art and community. How do we cultivate a sense of culture and welcome constructive criticism?
Reimagining the Hardrick Home
Trust building is the most essential part of this. If you want someone to tell you their story, to be vulnerable, to make art, you must make them feel safe enough to do so.
Understanding Abandonment
In order to be social, in order to love other people, first you need to understand yourself, and furthermore, to love yourself intactly.
& Environs: Peregrine Falcons, Ecological Recovery & Place in the Midwest Metropolis
“We have to highlight the birds. We need to give them the proper credit.”
Layered by Time
Each new geologic day brings a change in sea level, and with it a change in landscape.
Water Language: A Conversation with Shanai Matteson and Oscar Tuazon
Water connects us all, and we belong to the water where we live. It could be an essential part of our education and our sense of belonging in the world to get to know the water we drink.
Letter from Iowa
I created the Indigenous Art Alliance, which is an alliance of Indigenous Artists who are working and doing great things in the Indigenous Art World.
Art in a Vacuum
It’s more crucial than ever to consider ways we can expand our interpretation of community.
What Can Artists Do? Strive for Utopia
Times are certainly tough. But this isn’t new for humans.
Follow the Flowers: Navigating These Unruly Times, This Unbound Place
Longitude is a human creation, having to do with the political belly button of whoever is of influence.
a story about staying and going
this should be a place that holds this transitory history of the community to some extent
2022 Atlas Table of Contents
ILLINOIS
Editors selected by Public Media Institute
Tempestt Hazel
Tempestt Hazel, “Make It Last Forever: Movements, Moments, and Questions of Enduring Change in the Arts”
[Lauren Williams] Tempestt Hazel, “Still Here: An Interview with Lauren Williams”
Onyx Montes, “Love Before and After”
Kate Bowen: “Doing Less Is More”
Nance Klehm
Nance Klehm: “Follow the Flowers: Navigating These Unruly Times, This Unbound Place”
Tim Hogan: “& Environs: Peregrine Falcons, Ecological Pecovery & Place in the Midwest Metropolis”
Kimberly Sigafus: “Walking the Native Way”
Charles Joseph Smith, “Digital Toccata”
MINNESOTA
Editors selected by Confluence Studio
Sam Gould, Duaba Unenra & John Kim
Confluence Studio: “A Conversation with Douglas R. Ewart”
Confluence Studio: “No Titles, Just Tasks: Social Ecologies in South Minneapolis”
Confluence Studio: “Water Language: A Conversation with Shanai Matteson & Oscar Tuazon”
Karen Goulet, Monique Verdin, Rebecca Dallinger: “A Big River Continuum”
Sam Gould: “On Gravity”
INDIANA
Editors selected by Big Car
Jim Walker
Jim Walker: “What Can Artists Do? Strive for Utopia”
Kaila Austin: “Reimagining the Hardrick Home”
Oreo Jones: “Listen to Your City”
Brett Bloom
Brett Bloom: “Concrete Cultural Reversals”
Dan Zink: “Going With the Flow: Placemaking Along a Corridor”
Ryan Schnurr: “Oil and Water”
Sierah Barnhart: “In Defiance of Racism”
MISSOURI
Editors selected by Charlotte Street Foundation
Kimi Kitada
Kimi Kitada: “Reflections on History from a (Temporary) Missourian”
rachel atakpa: “Agricultural Poetics: Practices for Transformation”
Kevin Umaña: “Artist-Run Galleries Dazzle”
Chad Onianwa: “Art in a Vacuum”
Stephanie Koch
Stephanie Koch: “How Can We Imagine an Abundant Future for St. Louis?”
Cami Thomas: “LouTown, Evolution (And Flashback)”
Visitor Assembly: “ATL Arts Ecosystem: A Topography”
IOWA
Editors selected by PS1
John Engelbrecht & Kalmia Strong
Mary Swander: “AgArts: Imagining a Healthy Food System”
Monica Leo: “Building Community”
Dawson Davenport: “Letter from Iowa”
Cameron Gray
Cameron Gray: “The Buxton Initiative: Sacred Spaces for Black Futures”
jameson malone: “routine”
Jordan Brooks: “Fill the room with your presence!”
Jill Wells: “What I Learned From a Power Lift Recliner and a Paint Brush”
MICHIGAN
Editors selected by Bulk Space
Talking Dolls
Talking Dolls: “Letter from Detroit”
Miz Korona: “Motor City”
Diana Noh: “Understanding Abandonment”
Ashley Cook
Ashley Cook: “Runner Magazine presents…”
Nisi Shawl: “My Recipe for Making Amends”
Kristen Kirby-Shoote: “In Case of Emergency: Recipes for Collapse”
Bear: “Titles”
WISCONSIN
Editors selected by Wormfarm Institute
Curt Meine
Curt Meine: “Wisconsin Flows: Rock, Water, Seed”
Marcia Bjornerud, Eric Carson, Rudy Molinek, Roxane Aubrey: “Layered by Time”
Adam Carr, Sara Daleiden, Wes Tank: Rural Urban FLOW: Every seed has a powerful story
Kimberly Blaeser, Max Garland, Angie Trudell Vasquez, Catherine Young: “Wisconfluence”
Dan S. Wang
Dan S. Wang: “Wisconsin Excluded”
Alondra Garcia: “Ten Years Dreaming: A Wisconsin DACA Recipient Speaks Out”
BORDERLESS EDITORS
Kristi McGuire
Kristi McGuire: “Artist Running From”
Kristi McGuire: “Lock me up and put me in Witness Protection, with the other AI, or I wonder if we might stop using the word ‘artist’”
Katie Giritlian: “terms for pressing with”
Kim Upstill: “four dream menus for the midwest summer”
J. Dakota Brown: “New Cultures of Work: A Syllabus”
Thomas Huston: “Shims may be necessary to reduce the wobble”
olivier: “(eyes) !?!?!?!!!??????....??? (eyes) On the Artist-Run Archives of Ufology”
Genvieve DeLeon: “In the Direction of the Sky”
Mairead Case
Lee Hunter: “No Coast” - Illinois
N. Adam Beadel: “Trying to make a print / point” - Wisconsin
Cameron A. Granger: “Homebody” - Michigan
Sara Maloney: “Pole Dancing in South Bend, Indiana” - Indiana
Michelangelo Matos: “At Home in the Archives” - Minnesota